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How Grief Led Diane Kruger to the Bravest Performance of Her Career

“The Crucible” True Act Subdivision

❶Successful completion of ENGL or equivalent and an introductory level literature course are highly recommended.

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“Macbeth” True Act Subdivision

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Got My Domain Back. Mindful This survey course introduces students to representative works from major genres, such as fiction, poetry, and drama. ENGLMC features the study of mindfulness and incorporates mindfulness meditation as an instructional method while also exploring aspects of emotional intelligence as they relate to effective communication. Because theatre is a study of the possible, that is, what may result from the collaboration of many talents, we will study it from a number of different perspectives.

Plays are unique in all of literature, because they are only finished in performance in front of an audience. To understand how plays come to their complete realization, we will see several productions, both on and off campus.

The student will be responsible for the cost of one ticket for an off campus production. ENGL C Communications This survey course focuses on the application of communication principles and theories, enabling students to develop public speaking, interpersonal, intrapersonal, and group communication skills.

Through an in-depth look at self-concept, verbal and nonverbal language and listening skills, students gain an increased awareness of the way they perceive themselves and others as well as the cultural and ethical implications of behavior. Coursework includes a variety of speeches, exercises, and writing assignments.

Mindful Through this survey course focusing on the application of communication principles and theories, students will develop public speaking, interpersonal, intrapersonal and group communication skills.

Coursework includes a variety of speeches, exercises and writing assignments. Sections identified as MC Communicating Mindfully feature the study of mindfulness and incorporate mindfulness meditation as an instructional method while exploring aspects of contemplative neuroscience and emotional intelligence as they relate to effective communication. This writing intensive seminar puts equal emphasis on process and product, giving students the opportunity to develop metacognitive abilities and improve interpersonal communication skills.

Through this survey course focusing on the application of communication principles and theories, students will develop public speaking, interpersonal, intrapersonal and group communication skills. ENGL C Introduction to Film Utilizing film genres and movements, this course is an introductory historical examination of the art, history, language and theory of the moving image from the silent era to the present.

ENGL C Communication and the Literature of Science and Technology Built around the theme of science and technology, this course focuses on improving communication skills. Areas of study include critical reading, critical thinking, public speaking, interpersonal communication and writing. Topics of readings may vary and could include any of the following: ENGL C Introduction to Media Studies This course focuses on the nature, development, and effects of various media in relation to culture and society.

Students will gain an understanding of print and electronic media, public relations, advertising, media policy and law, global communications, and media ethics.

Coursework includes a variety of presentations, exercises, and writing assignments. Successful completion of EN strongly recommended. ENGL C Introduction to Drama An introductory survey involving the study of drama as literature and performance beginning with the Greeks and continuing through Shakespeare to the present. Through lecture, discussion and projects, students will become familiar with historical and cultural changes in the drama.

ENGL C Introduction to Poetry This course exposes students to the history and the art of poetry and helps them develop their critical skills as readers. Students study the various types of poem, both closed and open form, along with the most important structural elements of poems.

Available in on-line format. It addresses issues of style and structure, from the sentence level to the whole essay, and incorporates peer review and critique. Students are required to collect and evaluate information, to analyze subjects from a variety of critical perspectives and to use logic to present and defend conclusions.

Students compose essays of varying lengths, including shorter reflections and more sustained arguments. Individual instructors may choose to offer the course based on a theme. ENGL C British Literature I This course traces the development of British literature from the Middle Ages through the early eighteenth century and includes readings in poetry, fiction, essay, and drama.

Successful completion of ENG; C or equivalent and an introductory level literature course are highly recommended. The poetry, fiction, essays, and dramas of several major authors of the Romantic, Victorian and Modern periods will be studied. Successful completion of ENGL C or equivalent and an introductory level literature course are highly recommended. Students read representative major, as well as minor, writers from all literary periods and various movements.

Readings are set in the cultural contexts in which they were created. It is designed for English majors and others interested in the character and history of United States literature. Students read representative major, as well as minor, writers from various literary periods and movements.

Readings will be set in an historical and cultural context. Successful completion of ENGL or equivalent and an introductory level literature course are highly recommended.

Through viewing, lectures and class discussion, students are expected to develop a greater understanding of film theory, criticism and history. ENGL AC - Images of Light Utilizing viewings, lectures and class discussion and emphasizing film theory, criticism and history, Images of Light explores the creative and dynamic interrelationships of filmmaking, particularly between the director and the director of photography; between the vision of a film and its realization.

Through film viewing, lectures, projects and discussions the student explores how and why international filmmaking reached its apogee in as well as the lasting effects of these films and the filmmakers. ENGL CC - American Independent Cinema An Independent Film is a film that has been funded independently of a Major Studio, typically the monies come from limited partnerships, personal loans, presales, private investors and even credit cards.

This course will focus on American Independent Film Directors, the process of conception, funding to creation and distribution of their initial film will be examined. With several Directors we will explore their achievements as well as their studio flops. ENGL EC - German Expressionism Utilizing viewings, lectures and class discussion and emphasizing film theory, criticism and history, German Expressionism explores the creative and dynamic interrelationships in Germany of the Expressionist Film Movement in the time between the two world wars as well as the re-interpretation of that period prior to reunification.

So my first and generally representative sight of Lynch is from the back, and understandably from a distance. What movie people on location sets call the trailer that houses the bathrooms: Lynch and radical mastectomy Had for a few years a comic strip, The Angriest Dog in the World, that appeared in a handful of weekly papers, and of which Matt Greening and Bill Griffith were reportedly big fans.

Has had a bunch of gallery shows of his abstract expressionist paintings. The former object of a Time cover story in became the object of a withering ad hominem backlash. For me, though, a more interesting question ended up being whether David Lynch really gives a shit about whether his reputation is rehabilitated or not. This attitude-like Lynch himself, like his work-seems to me to be both grandly admirable and sort of nuts.

He makes his own choices about what he wants. In some ways it seems that Lynch was miscast as its director: Eraserhead had been one of those sell-your-own-plasma-to-buy-the-film-stock masterpieces, with a tiny and largely unpaid cast and crew. Dune, on the other hand, had one of the biggest budgets in Hollywood history, and its production staff was the size of a Caribbean nation, and the movie involved lavish and cuttingedge special effects.

The experience could easily have turned Lynch into an embittered hack, doing effects-intensive gorefests for commercial studios. The experience did neither. Lynch both hung in and, on some level probably, gave up. Dune convinced him of something that all the really interesting independent filmmakers-the Coen brothers, Jane Campion, Jim Jarmusch-seem to steer by.

For Blue Velvet, De Laurentiis offered Lynch a tiny budget and an absurdly low directorial fee, but percent control over the film. Lynch not only wrote and directed Blue Velvet, he had a huge hand in almost every aspect of the film, even coauthoring songs on the soundtrack with Badalamenti. Blue Velvet was, again, in its visual intimacy and sure touch, a distinctively homemade film the home being, again, D. While the creepy-video thing is under way, there are also some scenes of Bill Pullman looking very natty and East Village in all black and jamming on his tenor sax in front of a packed dance floor only in a David Lynch movie would people dance ecstatically to abstract jazz , and some scenes of Patricia Arquette seeming restless and unhappy in a kind of narcotized, disassociated way, and generally being creepy and mysterious and making it clear that she has a kind of double life involving decadent, lounge-lizardy men.

Eddy, played by Robert Loggia, is a menacing crime boss-type figure with a thuggish entourage and a black Mercedes 6. The one thing I feel I can say with total confidence is that the movie will be A recent homicide in Boston, in which the deacon of a South Shore church reportedly gave chase to a vehicle that bad cut him off, forced the car off the road, and shot the driver with a highpowered crossbow, was borderline Lynchian.

Coulson, who was later Log Lady on Twin Peaks. As are the long, self-consciously mundane dialogues on foot massages, pork bellies, TV pilots, etc. It seems to me fair to say that the commercial Hollywood phenomenon that is Mr. Quentin Tarantino would not exist without David Lynch as a touchstone, a set of allusive codes and contexts in the viewers midbrain.

Reservoir Dogs, for example, with its comically banal lunch chatter, creepily otiose code names, and intrusive soundtrack of campy pop from decades past, is a Lynch movie made commercial, i. Or consider the granddaddy of inyour-ribs Blue Velvet references: But it is to say that Lynch has in many ways cleared and made arable the contemporary "anti"-Hollywood territory that Tarantino et al. Some of them are brilliant and unforgettable; others are almost unbelievably jejune and crude and incoherent and bad.

This, for me, is part of his fascination. If the word sick seems excessive, substitute the word creepy. In other words, a creepy person. Los Angeles in January, though, turns out to be plenty Lynchian in its own right. Surreal-banal interpenetrations are every place you look.

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Django Unchained is a American revisionist Western film written and directed by Quentin Tarantino, starring Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington, and Samuel L. Jackson, with Walton Goggins, Dennis Christopher, James Remar, and Don Johnson in supporting roles. Set in the Old West and Antebellum South, it is a highly stylized tribute to Spaghetti Westerns, in.

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Read reviews, watch trailers and clips, find showtimes, view celebrity photos and more on MSN Movies. IN WHICH NOVELIST David Foster Wallace VISITS THE SET OF DAVID LYNCH'S NEW MOVIE AND FINDS THE DIRECTOR BOTH grandly admirable AND sort of nuts.

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